Tone port ux2
SOUND ON SOUND.Line 6 TonePort UX2 Driver Download – PC Matic Driver Library
Oct 26, · I have attempted everything to have my TonePort UX2 Red be effective under Windows aided by the latest Windows 10 drivers. The product is really user friendly. Install the motorists, and plug it in. Very little technical things to complete. Under Windows 8 on my laptop computer, that is exactly what I can do. Under Windows 10, the TonePort is just simple dead. POD Studio UX2: Pro guitar recording with superior pod tone pod studio UX2 mixes the wonderful sound of pod Farm plug-in with a rock-solid and powerful USB interface. Essential to the popularity of countless platinum-selling records, these Immortal Line 6 guitar, bass and results tones are actually readily available for recording guitarists.4/4(). Feb 10, · The POD Studio™ UX2 is a rock-solid audio interface that provides excellent home studio recording in an easy-to-use package. Incredibly peaceful guitar inputs and high-quality mic preamps make sure your paths will appear amazing. Comprehensive inputs and outputs offer flexibility for hooking up all of your favorite gear.
Tone port ux2.Line 6 Toneport UX1 & UX2
Line 6 TonePort UX2 features the same features whilst the TonePort UX-1 with 2 XLR mic inputs with phantom power, 2 – 1/4″ inputs (1 for high-gain instruments), digital production, assiginable VU meters, 2 footswitch jacks, and a split amount control for the headphone output/5(15). Feb 10, · The POD Studio™ UX2 is a rock-solid audio interface that delivers exceptional home studio recording in an easy-to-use bundle. Incredibly quiet guitar inputs and high quality mic preamps ensure that your tracks will appear amazing. Comprehensive inputs and outputs provide flexibility for setting up all of your favorite equipment. Dec 08, · Using Line 6’s TonePort UX2 couldn’t be easier. You simply plug your electric guitar, bass, or microphone into the TonePort and connect the USB cable through the TonePort to .
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Line 6’s newest items are USB bins that turn your pc into a low-latency amp-modelling system. Line 6’s Toneport UX1 and UX2 are computer recording interfaces geared towards the guitar player or bassist whom might also like to capture vocals as well as other tools.
In each case, you get a two-in, two-out USB sound interface with mic, range and instrument inputs and a suite of amp and effect modelling computer software produced from the Pod XT and Bass Pod XT, plus some recently added singing preamp models.
The modelling impacts on offer listed below are maybe not plug-ins, but function entirely on the input supply before the number application. The power is that you can hear your effected input signal with no perceptible latency when recording, regardless of how huge a buffer size you set in the host application. Both packages have the identical Gearbox pc software in addition to a cut-down type of Ableton’s Live 4 loop-based sequencer and gives the exact same quality of sound.
What’s different is the fact that the UX2 has more connectivity options and functions a good pair of frog-eye yards, in addition to phantom powering for capacitor microphones. The less expensive UX1 has stereo line ins and unbalanced line outs on quarter-inch jacks, one XLR balanced mic input and another high-impedance instrument feedback jack.
Just one headphone out normally included, but there’s no phantom energy for the mic feedback. You can find rotary controls for mic gain and production level and additionally a stereo jack monitor feedback to enable you to combine the production of one’s pc with that associated with UX1 if however you be running yet another soundcard or screen under those operating systems that allow it.
This is important because the included software will simply run using the UX1 connected, therefore the near-zero-latency monitored signal constantly emerges from the UX1, even though you have actually routed the rest of your sequencer audio through a new screen. It is important to turn off software tracking in your audio number pc software when tracking, otherwise you’ll hear both the near-zero-latency version of what you are singing or playing as well as the DAW variation delayed by whatever latency your audio drivers are set to.
The UX1 and above the UX2. As an user interface, the UX1 normally works at bit, it really works good since the only screen in some type of computer setup, offering you just need two inputs as well as 2 outputs, and also the production level control is preferably placed for establishing the level of attached active monitors or headphones.
Addititionally there is a 96kHz mode that makes use of sample-rate conversion. The Toneport still runs at The slightly more expensive UX2 provides two front-panel tool jacks one normal, one padded straight down for high-output guitars also two balanced XLR mic inputs with globally switchable 48 Volt phantom power. Observe that only 1 tool feedback station can be obtained, but if you were to utilize a DI box in to the various other’s station’s mic input or line input, I see no reason to not use two sets of electric guitar amp models at the same time, or one guitar plus one bass.
You can find twin amount meters, though many people will likely use the yards in their DAW pc software to ensure the recording levels, and on the UX2 you can find separate amount controls for the phones and main stereo production.
A signal-to-noise proportion in more than dB is quoted for both models, and having used all of them, I’ve found no reason to dispute this figure; they are extremely clean and peaceful.
The Gearbox pc software doing his thing. The row of icons along the middle shows the alert path from remaining to right, with the chosen amp model displayed above, while the effects displayed below. What makes the Toneports different from conventional USB sound interfaces is the included Gearbox software. The simplest way to describe the procedure of Gearbox is that the software amp models, which operate on your personal computer, behave even more as if they have a home in the user interface it self. By this after all whenever you come to find the Line 6 interface as an input supply in your DAW pc software, the sign that arrives is already prepared through the Gearbox amp modelling part which starts as a separate system in a separate window from your DAW.
You don’t have to fool around with Rewire or anything like this — what you notice is what you record. Or almost. You constantly monitor the full results string, but can choose to just take your record feed from before the post- effects, enabling electric guitar, bass or vocals becoming recorded straight away or reverb but to still have those effects readily available for monitoring. This is a wonderfully simple way of creating tracking reverb for vocalists, nevertheless the down side to this is that you can not use these results whenever you started to mix unless you route sound back through the box since they are not available as plug-ins.
This capability to tap into the signal path just before the post- impacts can be lost when you record both channels at the same time, as both to-DAW outputs are then had a need to route the 2 channels. In dual-channel mode, feel free to use two sets of amp or preamp models in addition, one to process each of the two inputs. In practical terms, this implies feel free to use a chain of singing preamps and effects along with guitar modelling when tracking electric guitar and vocals or electric guitar and bass at the same time, keeping both signal paths completely discrete.
Nearly all of what’s in the Toneports arises from various other existing Line 6 items, however the singing preamp modelling is brand-new. You will find models in line with the analysis of Neve and Avalon high-end hardware, aswell some deliberately coloured preamps.
Even the clean preamps have a noticeably different character from one another, just like changing microphones, which helps in getting a sound to suit a certain vocals, if you can capture your vocals without any modelling should you want to. The greater obviously coloured or altered ‘genre’ preamps also add the right types of personality, providing you restrict their use towards the musical styles that count on these much more excessive vocal treatments.
Once again, you can use some of the general-purpose stomp effects to liven up the sound or just to add keeping track of delay or reverb, though my preference would normally be to record without unneeded processing to be able to keep myself utilizing the flexibility to create modifications when it comes to blending. Where results are required, the product quality is normally great, especially the simulated tape delays, though the reverbs are nothing also shoddy either and the springtime electric guitar reverb is uncannily authentic-sounding.
Most of these impacts are directed at guitar but the compressors, EQ, delays and reverbs work just like well on vocals. I tested the software in Logic Pro and deliberately put the largest feasible buffer size to give myself obvious latency. As assured, your guitar I was playing showed up at the UX2’s output with no apparent latency at all — it thought as immediate as playing through a hardware Pod XT. This worked positively fine, and though using an Aggregate Driver constantly appears to result in the latency significantly even worse within the host DAW software, I could still the guitar I was recording without any obvious delay.
This means in practice that in the event that you use the Toneport with another software, you’ll need to monitor the audio from both interfaces at the same time when overdubbing to hold some great benefits of near-zero-latency tracking. The designs included are derived from the Pod XT algorithms, and though you can get slightly a lot fewer of them compared to the hardware equivalent, the quality is strictly the same. You will find 16 guitar amp models, five bass amp models and six vocal preamps. In addition to this you can find 24 impact modules that may be applied to electric guitar, bass or vocals, and if they aren’t adequate, you can install optional Line 6 Model Packs from Line 6’s web site to upgrade your pc software to incorporate most of the Pod XT designs or go further and buy the extra Vetta amp and impact models now available to Pod XT proprietors.
Not used to the Toneport are types of classic mic preamps and studio effects. The amplifiers which you get cover an easy tonal spectrum and include models ‘inspired’ by different Marshall and Fender classics in addition to Vox, Soldano and Mesa Boogie. Much like the Pod XT, it is possible to switch presenter cabinets around to obtain additional tonal permutations and there are a few superb impacts, including a very realistic tape-loop echo filled with wow, flutter and just suitable level of deterioration while the noise repeats.
At the extremely start of impacts chain is a regular noise gate, but there is also a brand-new hum reducer that works by very first ‘learning’ the hum from your electric guitar then decreasing it. The manual doesn’t state whether this really is attained by including it back again to your guitar signal away from period, by automatically configuring a series of notch filters or by subtracting a noise fingerprint, however it works.
There is a significant reduction in hum with no apparent effect on the guitar tone, which means this is actually more advanced than what goes on within the Pod XT hardware. Following the sound gate is a volume pedal, that could be managed remotely via MIDI, as well as the wah pedal which comes next.
Then we the stomp effects, which are often one of several distortion kinds, a Vetta compressor or a choice of male or female de-esser.
In all situations, how many knobs you’re able to adjust is similar to what you’d expect on a stomp pedal — there is nothing too frightening. From there, the signal nourishes to the amp model area, in which you get to choose the amp type, the speaker cabinet, the type of mic and its particular place.
All of the usual amp controls Drive, EQ and Volume can be found, though the EQ configuration changes to accommodate the amp type being modelled. Extra EQ controls maybe not present from the original amp come in a tiny screen off to the right of this main controls to offer the user a tad bit more tonal flexibility. Simply clicking any stomp pedal symbol bypasses it and chooses its edit window.
a visual panel show is shown within the lower half the window together with amp or preamp controls in the upper half; simply clicking the amp symbol shows the miking arrangement for the present presenter cupboard. The one thing i came across perplexing had been that from the vintage preamp design, it absolutely was tough to share with which associated with the four protruberances in the control knobs was actually the pointer!
Gearbox’s electric guitar tuner. Right following the amp comes another compressor block in just threshold and gain controls, then a four-band EQ with variable-frequency shelving filters at each and every end and swept filters for every associated with the middle two bands. This flexibility assists you to monitor without tracking impacts such as wait or reverb which help your playing but that you simply’d love to change later within the recording process.
Near the top of the window, in order to the best associated with the plot title screen, are three buttons. Initial modifications involving the stored setting and any edits you have made, allowing you to make comparisons before conserving. The 2nd bypasses the modelling sequence, giving you a clear sign path and shedding any computer CPU load that Gearbox imposes, even though the 3rd opens up a tremendously accurate and steady electric guitar tuner with an analogue meter-style readout.
Where two-channel operation has been selected when you look at the feedback supply selection, you’re able to put up two separate processing chains for the two input channels utilizing the two icons instantly towards the remaining of this plot name to change between their controls. The main reason two stations are expected for every production is that some of the effects are stereo. Various other controls let the degree of the production is modified or muted and additionally an output cooking pan control with a mono switch for when you want to record the output as a simple mono track.
Separate Record and monitor degree controls can be obtained to help you set the most suitable stability of track and also the resource becoming recorded. Overall, the visual aspect of Gearbox is extremely well thought-out and almost anything about it is intuitive. Spots, or shades as they are known as when you look at the paperwork, are saved individually for the two stations and there’s a generous collection of factory patches to get you started.
Although you don’t get every one of the amp designs from the Pod XT, 16 different classic amps are going to be enough for most of us, plus the factory presets give an excellent introduction into the array of sounds available, from clean and nation through raunchy blues and rock to ear-melting shred. In all instances the sounds react in an extremely normal solution to selecting power and the character of this different amps and speakers results in very obviously.
If you need more difference than this, you’ll constantly buy the recommended Model Packs. Bass players have a somewhat smaller choice, but again most of the key styles are covered and you will use some of the stomp results to enhance the noise where required. These amp models come directly from the Bass Pod XT and so are of a very good quality.
I have also found that you can get excellent results on bass using some associated with the standard electric guitar amp designs with the correct bass presenter cabinets. The mic amps may not be unique, however they are truly neat and competent. The near-zero-latency monitoring strategy really works, the trade-off becoming that you can’t record dry and include the consequences later on as plug-ins.
Possibly Line 6 might prefer to consider making the consequences available as additional plug-in versions, nevertheless protected by the hardware, as they’d be useful in all kinds of blending circumstances, however there is only so much you can expect at these rates and Line 6 have previously surpassed expectations by very a considerable ways.
Cosmetically the units are attractive and useful, together with pc software graphical user interface is extremely intuitive and visually friendly. Gearbox has enjoyable written all over it, but despite its jolly appearence and entry-level price, it really is effective at serious results, while if you do not already have sound recording software, the bundled form of Ableton Live does just about everything you need until such time you get up to speed utilizing the process.
In the event that you perform guitar and record on some type of computer, then it’s pretty safe to say that you could get a hold of use for a Toneport system, even though you already own a Pod XT. The UX-series Toneports are remarkable packages comprising good-sounding USB audio hardware and a really really thought-out suite of modelling computer software for electric guitar, bass, vocals and general instrument use.
Vocal Preamp versions nearly all of what is in the Toneports arises from other existing Line 6 products, but the vocal preamp modelling is brand-new. In Use Although that you don’t get every one of the amp models from the Pod XT, 16 different classic amps is likely to be enough for many people, plus the factory presets give a good introduction to your array of noises available, from clean and country through raunchy blues and rock to ear-melting shred. Pros Inexpensive. Adds vocal preamp models to your electric guitar and bass amps you’d anticipate.
You’ll monitor the modelled and effected noise with practically zero latency. Software could be broadened utilizing recommended Model Packs. Same modelling quality whilst the Line 6 Pod XT range. Cons Some signal routing restrictions when using several sound interfaces. Results cannot be added after tracking as Gearbox elements aren’t available as plug-ins. Overview The UX-series Toneports are remarkable bundles comprising good-sounding USB audio hardware and a really really thought-out suite of modelling computer software for guitar, bass, vocals and general instrument use.
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